Inspiring Case Studies
Discover how photographers like you made a big positive change to their work
Inspiring Case Studies
Ordinary photographers like you find it easy to make big changes to their work with a little inspirations and encouragement
How Cassie Learned To Create Award Winning Digital Pictures
Cassie is a young professional living in Weybridge, Surrey. Her work takes her to the far east as a Civil Engineer. For the short periods of time when she is at home she lives with her parents. She has been interested in photography from her mid-teens and at school she had access to the school darkroom where she eagerly soaked up all the information on printing she could find.
She readily says her prints weren’t great at that time but they gave her the satisfaction of learning the art and craft of darkroom printing. “There is something magical in seeing the print emerge from the paper as the developer tray is gently rocked in the dim glow of the red darkroom safe light” she says. Due to pressures of study Cassie lost contact with black and white photography for a few years. Now that she is established in a stable but hectic job she occasionally has the opportunity to take digital pictures that she displays in frames around her office.
Read more about Cassie's transformation
On reflection, there was always a nagging doubt that the digital prints coming out of her Canon A3 Inkjet printer did not have the same look and depth as the prints she had made before in the darkroom. Cassie knows that the paper and ink technology is capable of great prints.She sees the stunning work others are producing but that satisfaction was eluding her. After a time Cassie decided to take two courses of action. Firstly to upgrade her digital printing skills with the aim of making digital prints with the quality of the darkroom process and secondly, if that was not possible, to return to film photography.
The way forward
After an interchange of emails, Cassie enthusiastically booked herself onto the Mono Masterclass in Snowdonia. After the booking was made Andy sent her a copy of the textbook for the masterclass – The Dark Art – A Digital Black and White Printing Manual by Andy Beel, which Cassie studied as best she could between work and a social life. When the Masterclass came around later in the year, Cassie was excited to meet the other participants and found they all had roughly the same desire to make their best efforts with digital mono printing even better with the help of bespoke training and insights from a leader in the field.
The masterclass gave Cassie the confidence to use Lightroom and Photoshop as tools that she had control over to bring about what she saw and felt at the time of taking the picture. The masterclass was a steep learning curve that was made easier and more enjoyable because she had the opportunity to read the textbook before the event. The days of muddy black and white prints are over. Cassie now has the passion, vision and style to make prints that express her personality on a piece of photo printing paper.
Cassie joined London Independent Photography http://www.londonphotography.org.uk/ where her work is well accepted and has won the occasional award in their annual exhibition when she has the time and energy to make the prints and enter. Thanks to Andy Beel her best was made even better when given the opportunity to learn, grow and express herself.
Read how David made a real difference to his photography
David had retired early, his children had flown the nest, with time on his hands he regained his interest in photography that had started in school forty years before. He had a problem with his camera, it always recorded the scene exactly as it was and not how he saw and felt.
As a member of a large photographic society he enjoyed the programme of excellent speakers but felt his own progress was alluding him. Another problem David found was his expensive camera did not know what the subject of his picture was, everything was given equal prominence and priority.
David's change of expectations
David’s wife Cathy bought him a surprise Photography Workshop as a Christmas present she found in a magazine David had left lying around. He spent the voucher on a Workshop in Snowdonia. He eagerly awaited to attend the workshop in spring of the following year. Marcus the workshop leader impressed on David the need to connect with subject because the photographer is making the selection for the viewer.
His whole way of thinking about why he takes pictures and how to achieve satisfying results gradually changed over the weeks and months following the workshop. He is now much more confident and successful using his camera, regularly joining other photographers on Workshops and Courses to build his seeing skill base. He even gives the occasional club talk, if pressed hard enough. You, like David, will continue to take pictures that lack a satisfactory response from yourself and your viewer until you change the way you think.
What will you create?….