The Reasons Why
My heritage as a black and white photographer began in the 1980s with a newly built darkroom. In the gloom of the red safelight, I taught myself how to make prints to exhibition quality. I have only recently found my personal way of expressing colour.
As an on-going project, I am aiming to inject my personality into my colour work in the same way as I do with my mono pictures. Vision and style are just as important in colour work as mono.